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Showing posts with label James Genus. Show all posts
Showing posts with label James Genus. Show all posts

Ravi Coltrane: Spirit Fiction (2012)

Spirit Fiction is the much anticipated Blue Note Records debut of saxophonist and composer Ravi Coltrane. Co-produced by label mate and fellow saxophonist Joe Lovano, the 11-track album features two different band lineups, each with a unique expressive urgency. Several tracks feature Coltrane’s long-term quartet with pianist Luis Perdomo, bassist Drew Gress and drummer E.J. Strickland. Coltrane also enlisted a quintet featuring trumpeter Ralph Alessi, pianist Geri Allen, bassist James Genus and drummer Eric Harland — the personnel featured on his sophomore release From the Round Box.
Tracklist:
01. Roads Cross
02. Klepto
03. Spirit Fiction
04. The Change, My Girl
05. Who Wants Ice Cream
06. Spring & Hudson
07. Cross Roads
08. Yellow Cat
09. Check Out Time
10. Fantasm
11. Marilyn & Tammy
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320K
Depositfiles
Turbobit
password: musicontop

Bill Evans: Soul Insider (2000)

Tenor and soprano saxophonist Bill Evans has always been one of jazz's most forward-thinking and prolific musicians; yet, he's also one of its most undervalued. Pursuing contrasting styles and sounds, accompanied by his scorching, soulful technique, Evans has courted jazz-rap (Escape), all- acoustic bop (Starfish and the Moon), and neo-smooth jazz (Touch). With skills honed in the furnaces of Miles Davis's groups and the Mahavishnu Orchestra, Evans has addressed commercial concerns but has also made time to blow mean music and push the boundaries. Soul Insider is a bump- righteous, soul-jazz affair as funky as a Blues Brothers record, but as smooth as silk and cigar smoke. Surrounding himself with a crack band, including guitarist John Scofield, organist Ricky Peterson, percussionist Don Alias, and heroic funk-drummer supreme, Steve Jordan, Soul Insider simmers slowly to the boiling point. It's a rare record where everyone actually grooves like mad in the studio live, and tracks such as "Van's Joint" and "Cool Eddie" pump like Booker T & the MGs injected with NYC grease and gravy. Les McCann adds vocals on "Lose My Number" and "You Sure Look Good to Me," bringing a good-natured glee to the rumpus-room funk. "Cheeks" recalls early David Sanborn or classic King Curtis or Aretha, while "Sneaky" is drenched in a nocturnal urban edge, as is the sweltering "Older Days." Evans blows hot and boisterous throughout, raising high this squirming soul soufflé. --Ken Micallef
Tracklist:
1. Vans Joint
2. Cool Eddie
3. Lose My Number
4. Cheeks
5. You Sure Look Good to Me
6. Big Mama
7. Sneaky
8. Gimme Some
9. Older Days
10. Thump
11. The Shorty Shuffle
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FLAC
password: musicontop

Wayne Krantz: Howie 61 (2012)

Ever-evolving and improvisational New York guitarist Wayne Krantz has re-invented himself yet again with a stunningly creative recording, and a bold new direction, Howie 61, through Abstract Logix Records.
Better known for his preference of the trio format, the musical main-stay now enlists a multitude of world-class musicians in a variety of lineups, including Vinnie Colaiuta (Jeff Beck, Frank Zappa, Sting), Tal Wilkenfeld (Jeff Beck, Chick Corea, Herbie Hancock), Pino Palladino (Jeff Beck, The Who, Eric Clapton), and Anton Fig of The Letterman Show's ''World s Most Dangerous Band'', among many others (Keith Carlock, James Genus, Nate Wood, Henry Hey, Owen Biddle, Charley Drayton, John Patitucci, John Beasley, Jeremy Stacey, Paul Stacey, Yasushi Miura, David Binney, Kenny Wollesen and Gabriela Anders).
Though Krantz has utilized vocals in his music before - most notably on his last album, Krantz Carlock Lefebvre - on Howie 61 Krantz pushes this aspect of his artistry a step further by incorporating vocal content in his music in a manner that is more complete and tightly integrated than anything he has done in the past. ''I'm very excited about this record,'' says Krantz, ''It's another step in a direction that I've been making since Long To Be Loose really; Long To Be Loose was an instrumental version of this record. I've been trying to figure out how to get words into my music for the longest time, and it took so much trial and error just to get to the point where I could use just a few words on a song, and have it feel integrated with the music. I'm super excited because I'm kind of cracking it - this record is not the completion of that journey at all, but it is a step in the direction that's been in my head now for a really long time.''
From riff-driven rock and funk, to stirring ballads, Krantz hits many moods on Howie 61, all the while retaining the harmonic and rhythmic acuity he's well known for. Highlights include rockers such as The Bad Guys and Can't Stand To Rock - both high energy tracks propelled by Krantz's searing guitar work. On the tongue-in-cheek U Strip It, David Binney, a frequent Krantz collaborator, delivers a burning sax solo over a playful, driving groove. Son Of A Scientist features legendary drummer Vinnie Colaiuta weaving in and around Krantz's deep rhythm and lines. It's one of two tracks that feature Colaiuta with bass phenom Tal Wilkenfeld.
On Check Yo Self Krantz hearkens back to his group-improv ethos with drummer Keith Carlock and bassist James Genus for a funky, stripped-down instrumental take on the Ice Cube-meets-Grandmaster Flash classic. At the opposite end of the spectrum, a second instrumental track entitled beLls features Krantz at his most evocative with a clean-tone, largely chordal piece, perfectly enhanced by well-placed effects and drummer Anton Fig's embellishments. The somber I'm Afraid That I'm Dead begins as a haunting piano ballad, before morphing into a ''zombie dream'' state courtesy of sonic alchemist Yasushi Miura. On How The West Was Left, Paul Stacey's slide guitar work provides a great augmentation to one of Krantz's most lyrical and dynamic offerings ever.
With Howie 61, Krantz demonstrates once again that he is more than just a guitar player, more than just an improviser; he is, in fact, a genre-defying visionary whose musicality is expressible in a myriad of ways. By combining that vision with an all-star cast and a stunning collection of engrossing, smart compositions, Howie 61 may be the most significant album of Krantz's career.
Tracklist:
01. Howie 61
02. The Bad Guys
03. Check Yo Self
04. I'm Afraid That I'm Dead
05. Son of a Scientist
06. Can't Stand to Rock
07. I'd Like to Thank My Body
08. U Strip It
09. Bells
10. How the West Was Left
Personnel:
Wayne Krantz: guitars (1-3, 5-10), vocals (1, 2, 4-8, 10), piano (4), ring modulator (9)
Henry Hey: piano (1)
Owen Biddle: bass (1)
Nate Wood: drums (1)
John Beasley: piano (2, 5, 6, 8, 10)
John Patitucci: bass (2, 8)
Charley Drayton: drums (2, 8)
James Genus: bass (3)
Keith Carlock: drums (3)
Yasushi Miura: sonics (4)
Tal Wilkenfeld: bass (5, 6)
Vinnie Colaiuta: drums (5, 6)
Gabriela Anders: vocals (5, 7, 10)
Kenny Wollesen: drums (7)
David Binney: saxophone (8)
Anton Fig: drums (9)
Paul Stacey: slide guitar (10)
Pino Palladino: bass (10)
Jeremy Stacey: drums (10)
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320K
password: musicontop

[By Request] Gregoire Maret: ST (2012)

Before he even hit 30 years of age, Grégoire Maret became the most sought after harmonica player behind legends Toots Thielemans and Stevie Wonder. Influenced by both, Maret has managed to find his own voice on the instrument. His capability to play almost anything has created a steady flow of collaboration with musicians from the jazz, pop, rock, funk & R&B worlds, who call upon Maret's mastery to add his unique sound.
Born May 13, 1975 in Geneva, Switzerland to a Swiss father and American mother, Maret began his musical career as a harmonica player at age 17. He attended Geneva's prestigious Collège de Saussure and the Superior Conservatory of Music. In 1995, he made the critical decision to move to New York City and pursue his studies at the New School For Social Research, Jazz Program, where he graduated with a BA in Music in 1998, and has been on the move ever since.
Grégoire has recorded, performed and toured with many musical greats, including Reggie Workman, Charles Tolliver, Charles Fambrough, Patato Valdez, Max Roach, Tito Puente, Duke Ellington Orchestra, Pete la Roca, and Ray Brown, David Sanborn, Jimmy Scott, Jacky Terrasson, John Hicks, Idris Muhammad, Onaje Allan Gumbs, Mino Cinelu, Anita Baker, Bebel Gilberto, Leon Parker, Bruce Cockburn, George Benson, Jeff 'Tain' Watts, Eric Revis and Andy Milne's Dapp Theory.
Currently residing in New York, Grégoire can either be seen on the road, or performing and recording with renowned jazz artists such as Cassandra Wilson, Charlie Hunter, Steve Coleman, Me'Shell Ndegeocello, Terri Lyne Carrington, Ravi Coltrane, and the Pat Metheny Group. Maret is currently touring around the world with journeyman bass guitarist and Grammy winner Marcus Miller.
Tracklist:
1. Lucilla's Dream
2. The Secret Life of Plants
3. The Man I Love (feat. Cassandra Wilson)
4. Travels
Crepuscule Suite
5. 5:37 PM (Intro)
6. Crepuscule (feat. Marcus Miller)
7. 4:28 AM (Outro)
8. Manha Du Sol (feat. Raul Midon, Tami Samantha Hayes)
9. Prayer (feat. Mark Kibble, Alvin Chea)
10. Lembra De Mim
Children's Suite
11. The Womb
12. Children's Song
13. Outro
14. O Amor E O Meu Pais (feat. Toots Thielemans)
15. Ponta De Areia
Personnel:
Gregoire Maret: harmonica, vocals
Federico G Pena: piano, taicho harp, percussion, vocals
James Genus: electric bass, vocals, acoustic bass
Clarence Penn: drums, vocals
Brandon Ross: soprano acoustic guitar, 6- and-12 string acoustic guitar
Jean-Christophe Maillard: acoustic guitar, taicho harp
Jeff "Tain" Watts: drums
Alfredo Mojica: percussion
Bashiri Johnson: percussion
Mino Cinelu: percussion
Cassandra Wilson: vocals
Stephanie Decailet: violin
Johannes Rose: viola
Fabrice Loyal: cello
Marcus Miller: fretless bass
Toots Thielemans: harmonica
Robert Kubiszyn: acoustic bass
Gretchen Parlato: voice
Janelle Gill, Adia Gill, Clyde Gill, Micai Gill: vocals
Soumas Heritage School of Music Ensemble
Sinfonia Viva Orchestra
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FLAC
Depositfiles - Part 1 - Part 2
Turbobit - Part 1 - Part 2
 
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