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Showing posts with label Dave Grusin. Show all posts
Showing posts with label Dave Grusin. Show all posts

Jack Lee: Asianergy (2006)

Jack Lee is Korea’s most recognized world class Jazz musician, and has been at the vanguard of promoting Jazz in his hometown of Seoul, Korea, as well as in the Asian territory through his performances and recordings with many of the top name in Jazz today for almost twenty years.
With roots planted firmly in his Asian heritage, technique and sensitivity honed by his schooling and experience in New York, and with a singular voice propelled by an intense desire for a more complete artistic expression, Jack Lee combines formidable technique with a penchant for gentle, flowing lyricism that makes his music eminently appealing to both musicians and non-musicians alike.
Born in Seoul Korea, Jack absorbed the sounds of rock guitar heroes such as Eric Clapton, Jimi Hendrix, and Jeff Beck before discovering the jazzier sounds of Pat Metheny, Larry Coryell, and Miles Davis. At 17, he traveled to the United States to pursue his passion and later enrolled as a computer science major at Columbia University. A stint as a disc jockey at the well-known station WKCR-FM exposed him to an extraordinary breadth of jazz music. Being a student in New York allowed him to experience first hand the living legends of jazz in the city’s renowned clubs, and also enabled him to study first-hand with such guitar luminaries as Larry Coryell, Emily Remler, Bill Connors, and John Scofield.
Becoming a professional musician after graduation, Jack has performed and toured all over the world with many top names in Jazz, and started making his mark in NY jazz scene, as the formidable Asian musician/ producer.
Currently Jack is involved as a producer/ guitarist on several noteworthy projects, which sets him apart from a conventional jazz musician.
On his project with the exciting new world music ensemble Asianergy, Jack summons up some of his most heartfelt, emotionally moving playing on record to date. Spurred on by an international cast of sidemen; Academy award winning Pianist Dave Grusin, Grammy winning pianist, Bob James, Bassist, Nathan East and a grammy winning drummer, Harvey Mason to record as well as another good friend , very talented multi instrumentalist, Norihito Sumitomo, a master of EWI (electric wind instrument) from Japan, under-rated percussionist from India-Malaysia, Lewis Pragasam and a great acoustic guitarist/composer from Brazil, Toninho Horta, and another great pianist from New York, Mr.Charles Blenzig.
At the core of this superb recording is the chemistry between Lee and kindred spirit Pragasam, whose powerfully polyrhythmic approach to hand percussion and the drum kit fuels the momentum of these sessions.
Tracklist:
01. Scenes From The Past [06:04]
02. An Episode Of Journey [06:13]
03. Asianergy [05:26]
04. Exotica [06:27]
05. Jeju Island [06:31]
06. Kamiyama [05:55]
07. All Of Those Things [04:37]
08. Sunrise In Mumbai [05:59]
09. The Reason [03:34]
10. Waiting In Rain [05:01]
Personnel:
Jack Lee - all guitar;
Toninho Horta - acoustic guitar;
Dave Grusin, Charles Blenzig - piano, keyboards;
Norihito Sumitomo - keyboards, EWI;
Melvin Davis - bass;
Harvey Mason, Lewis Pragasam - drums, percussion;
Bobby Singh, Suphala - tabla, percussion.
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320K

Ivan Lins: A Doce Presenca (1994)

This is a 15-track anthology of favorites by Brazilian songwriter Ivan Lins.
To celebrate 20 years of the musical partnership between Ivan Lins and Vitor Martins, Velas Label launched this CD of their hits in new and fresh arrangements.
Personnel: Ivan Lins (vocals, electric piano, keyboards); Luis Galvao (guitar, viola); Heitor T.P., Ricardo Silveira, Victor Biglione (guitar); Pedro Amorim (violao); Claudio Jorge, Marco Pereira, Maurнcio Carrilho (viola); Cristуvao Bastos, Gilson Peranzzetta (accordion, piano); Ze Nogueira (soprano saxophone); Vittor Santos (trombone); Leandro Braga (piano); Dave Grusin (keyboards); David Finck (acoustic bass); Will Lee (electric bass); Armando Marзal (percussion).
Tracklist:
01. Doce Presenca (3:02)
02. Amor (3:54)
03. Bilhete (5:15)
04. Trinta Anos (5:02)
05. Saindo de (4:18)
06. Depois Dos Temporais (5:07)
07. Choro Das Aguas (3:46)
08. Luas de Pequim (5:15)
09. Aos Nossos Filhos (5:50)
10. IVelas Icadas (4:48)
11. Iluminados (3:05)
12. Comecar de Novo (4:04)
13. Vieste (5:02)
14. Maos de Afeto (5:07)
15. Vitoriosa (3:58)
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192K

Tom Browne: Magic (1981)

Like Roy Ayers, Patrice Rushen, George Benson, and George Duke, Tom Browne is a perfect example of a jazz musician who switched to R&B and was lambasted by jazz snobs for it. As jazz's hardcore saw it, the trumpeter was a sellout -- a gifted Clifford Brown disciple who was shamelessly wasting his chops playing commercial music. But commercial music isn't necessarily inferior to jazz, and the fact is that much of Browne's soul/funk output was excellent. While jazz snobs dismissed Browne's third album, Magic, because it contains very little jazz, the Dave Grusin/Larry Rosen-produced LP has a lot going for it from a soul/funk standpoint. The only cuts on Magic that have anything to do with jazz are the sensuous quiet storm instrumental "Night Wind" and a lush Grusin arrangement of Billie Holiday's "God Bless the Child." This is an R&B album first and foremost, and those who admired Browne for his 1980 hit "Funkin' for Jamaica" also admired such Magic cuts as the funky "Let's Dance," the Earth, Wind & Fire-ish "I Know," and the addictive funk hit "Thighs High (Grip Your Hips and Move)," all of which feature vocalist Toni Smith -- a passionate, Chaka Khan-influenced belter who had been featured on "Funkin' for Jamaica." While jazz snobs would be better off passing on Magic, R&B fans will find a lot to admire about Browne's third album. ~ Alex Henderson
Japanese reissue of the jazz/R&B artist's 1981 album for Arista. K2 24 bit mastering.
Tracklist/Personnel:01. Let's Dance [5:29]
Electric Guitar, Backing Vocals – Kevin Cummings (2)
Piano [Acoustic] – Terry Burris
Electric Piano [Rhodes], Clavinet, Backing Vocals – Cliff Branch, Jr.
Electric Bass, Arranged By, Backing Vocals – Sekou Bunch
Trumpet, Arranged By – Tom Browne
Lead Vocals – Toni Smith
Synthesizer [Obx] – Dave Grusin
Written-By – Sekou Bunch
Percussion – Crusher Bennett
Drums – Gregg Barrett (2)
Horns – Bob Franceschani, James Stowe, Tom Browne
02. Magic [4:27]
Electric Piano [Rhodes] – Bernard Wright
Electric Bass – Sekou Bunch
Trumpet, Arranged By – Tom Browne
Electric Guitar – Bobby Broom
Lead Vocals – Cliff Branch, Jr.
Written-By – Clifford Branch, Jr.
Tenor Saxophone – Robert Franceschani
Percussion – Crusher Bennett
Clavinet, Synthesizer [Obx] – Dave Grusin
Piano [Acoustic], Arranged By – Cliff Branch, Jr.
Drums – Buddy Williams
Backing Vocals – Toni Smith
03. I Know [4:45]
Electric Bass – Marcus Miller
Electric Guitar – Jeff Mironov
Written-By – Tom Browne
Percussion – Crusher Bennett
Piano [Acoustic], Electric Piano [Rhodes], Synthesizer [Obx], Arranged By – Dave Grusin
Vocals – Toni Smith
Drums – Buddy Williams
Horns – Bob Franceschani, James Stowe, Tom Browne
Trumpet, Vocals, Arranged By – Tom Browne
04. Midnight Interlude [5:16]
Electric Guitar, Arranged By – Grisha Dimant
Electric Piano [Rhodes], Synthesizer [Arp String Ensemble], Arranged By – Dennis Bell
Piano [Acoustic] – Bernard Wright
Electric Bass – Sekou Bunch
Drums – Howard Grate
Lead Vocals – Pat Windham
Written-By – Claudette Washington, Dennis Bell, Grisha Dimant
Percussion – Crusher Bennett
Clavinet – Dave Grusin
Trumpet – Tom Browne
Backing Vocals – Claudette Washington, Dorothy Terrell, Lynette Washington
05. God Bless The Child [5:04]
Trumpet – Tom Browne
Piano [Acoustic], Arranged By – Dave Grusin
Written-By – Ira Herzog, Billie Holiday
06. Night Wind [6:30]
Electric Bass – Marcus Miller
Drums – Buddy Williams
Electric Guitar, Acoustic Guitar – Jeff Mironov
Flugelhorn – Tom Browne
Written-By – Dave Grusin
Percussion – Crusher Bennett, Larry Rosen
Electric Piano [Rhodes], Piano [Acoustic], Arranged By – Dave Grusin
07. Thighs High (Grip Your Hips And Move) [4:39]
Music By – Tom Browne
Piano [Acoustic] – Bernard Wright
Electric Bass – Sekou Bunch
Drums – Buddy Williams
Electric Guitar – Bobby Broom
Lead Vocals – Toni Smith
Trumpet, Arranged By – Tom Browne
Electric Piano [Rhodes], Synthesizer [Obx] – Dave Grusin
Percussion – Crusher Bennett
Clavinet – Cliff Branch, Jr.
Lyrics By – Dave Grusin, Sekou Bunch, Toni Smith
Backing Vocals – Babi Floyd, Cliff Branch, Jr., Frank Floyd, Sekou Bunch, Toni Smith
08. Making Plans [4:02]
Piano [Acoustic] – Terry Burris
Electric Bass – Sekou Bunch
Vocals [Vocal Group] – Cliff Branch, Jr., Kevin Cummings (2), Sekou Bunch, Tom Browne, Toni Smith
Piano [Acoustic], Timpani, Arranged By – Dave Grusin
Electric Guitar – Kevin Cummings (2)
Trumpet, Lead Vocals, Arranged By – Tom Browne
Written-By – Ronny Pace
Percussion – Crusher Bennett
Drums – Gregg Barrett (2)
Horns – Bob Franceschani, James Stowe, Tom Browne
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FLAC

[BY REQUEST] - Joe Farrell: La Catedral Y El Toro (1977)

Signed to Warner Bros. in 1977, Farrell, who had been a valued sideman, had also released a few albums under his own name. On CTI, he released albums like Moon Germs, Song of the Wind, and Outback. But like many artists of his type, he was only as good as his producers and the album's premises. Ralph McDonald and William Eaton produced La Catedral Y El Toro. Despite the authoritative title, this is a fairly standard fusion set. The title track aims for Chick Corea-like expansion and excitement, but the production renders it listless, even Stanley Clarke's bass solo sounds enervated. "Promise Me Your Love" is trademark low-key and soothing McDonald and Eaton, with guitarist Eric Gale and Richard Tee's keyboards ably assisting Farrell's fluid soprano and tenor sax solos. Even halfway before it's over, it's apparent that La Catedral Y El Toro's most notable facet is how it squanders the eye-popping talent and Farrell's gifts. "Cyclone Rider" and Patti Austin's "Is It Asking Too Much" both feature Farrell as little more than a bystander on his own album. The final track, "Imagine Me," is a feather light offering featuring his often-captivating flute work falling into off notes and lack of energy. La Cathedral Y El Toro also features the talents of bassist Anthony Jackson and drummer Steve Gadd, among others. This 1977 effort is a case of Farrell not clicking with his producers, and that fact makes this less than recommended.
Tracklist:
A1 La Catedral Y El Toro - Drums [Orchestra Snare Drum] – Chris Parker (2), Guitar – Jay Berliner, Piccolo [Bass] – Stanley Clarke, Saxophone [Soprano] – Joe Farrell, Synthesizer – Kenneth Bichel* 9:52
A2 Promise Me Your Love - Saxophone [Soprano, Tenor] – Joe Farrell 4:32
A3 Disco Dust - Percussion [Additional] – Rubens Bassini, Saxophone [Tenor] – Joe Farrell 4:37
B1 Cyclone Rider - Saxophone [Tenor] – Joe Farrell, Synthesizer [Mini-moog] – Dave Grusin 6:06
B2 Is It Asking Too Much - Flute, Oboe – Joe Farrell 6:02
B3 Imagine Me - Flute – Joe Farrell, Percussion [Additional] – Rubens Bassini 6:04
Personnel:
Arranged By, Conductor – William Eaton
Bass – Anthony Jackson
Congas, Percussion – Ralph MacDonald
Drums – Steve Gadd
Engineer – Richard Alderson
Engineer [Assistant] – Eddie Heath Jr.*
Guitar – Eric Gale
Horns – Alan Rubin, Barry Rogers, Brooks Tillotson, Dave Taylor*, George Young (2), Jim Buffington, Michael Brecker, Paul Faulise, Randy Brecker, Ray Alonge, Ronnie Cuber, Tony Miranda, Tony Price (2), Victor Paz
Mastered By – George Marino
Mixed By – Ralph MacDonald, Richard Alderson, William Eaton
Piano – Richard Tee
Producer – Ralph MacDonald, William Eaton
Strings – Alan Shulman, Alfred Brown, Avram Weiss, Charles Libove, David Nadien, George Duvivier, Harry Cykman, Joe Malin, Julien Barber, Kermit Moore, Max Ellen, Max Pollikoff, Regis Iandiorio, Sanford Allen, Selwart Clarke
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256K

Harvey Mason: Stone Mason (1982)

Rare album of the fantastic drummer Harvey Mason who played with the best jazz funk musicians during the 70s. This album was only issued in Japan and was produced by Lee Ritenour and Harvey Mason. This LP includes a killer modern soul tune "What goes around" and a good remake of Donny Hathaway's song "Someday We'll All Be Free".
Tracklist:
A1 It All Comes From You
A2 Appassionata
A3 Autumn Flow
A4 Grusin's Groove
B1 What Goes Around
B2 Love Letters
B3 Hot Summer Nights
B4 Someday We'll All Be Free
Personnel:
Backing Vocals – Arnell* (tracks: B1), Deon Estus (tracks: B2), G. Kronstadt (tracks: B2), Harvey Mason (tracks: B1, B2), J.D.* (tracks: B1), King Floyd (tracks: B2), Pages (3) (tracks: B3), Ray Parker* (tracks: B1)
Bass – Abe Laboriel* (tracks: B4), Anthony Jackson (tracks: A3, A4), Gary King (tracks: A1, A2), Scott Edwards (2) (tracks: B1), Welton Gite (tracks: B2)
Drums – Harvey Mason
Engineer – Don Murray, Humberto Gatica, Joe Jergenson*, Keith Seppanen, Peter Chaiken
Flugelhorn – Kenny Mason (tracks: A3)
Guitar – Cash McCall (tracks: B2), John Tropea (tracks: A2), Lee Ritenour (tracks: B3, B4), Ray Parker* (tracks: B1), Steve Kahn (tracks: A1 to A4)
Lead Vocals – Karen Floyd (tracks: B2), Kelly McNulty (tracks: B1), Lisa Nemzo (tracks: B3)
Lyricon – Rod Zantey (tracks: A1, A2)
Marimba, Bells [Orchestra] – Harvey Mason (tracks: A1)
Percussion – Harvey Mason (tracks: A1, A3, A4), Jack Ashford (tracks: B1)
Piano – Bob James (tracks: A1, A2)
Piano [Accord] – Bernard Wright (tracks: A3, A4), David Paich (tracks: B3), Teuneson Stevens (tracks: B2)
Piano [Fender] – Bob James (tracks: A1)
Piano [Rhodes] – Dave Grusin (tracks: A3, A4), David Foster (tracks: B4), Sylvester Rivers (tracks: B1), Teuneson Stevens (tracks: B2)
Producer – Harvey Mason, Lee Ritenour (tracks: B3)
Recorder – Phil Ayling (tracks: B4)
Saxophone [Alto] – Dave Boruff* (tracks: B2)
Saxophone [Tenor] – Tom Scott (tracks: A2)
Synthesizer – Bob James (tracks: A2), Dave Grusin (tracks: A4), Harvey Mason (tracks: B1, B2), Ian Underwood (tracks: A1), Jeremy Lubbock (tracks:
A1, B4), Jerry Peters (tracks: B1, B2), Steve Pocaro* (tracks: B3)
Synthesizer [Keyboard Bass] – David Paich (tracks: B3)
Vibraphone – Harvey Mason (tracks: A3, A4)
Vocals – Harvey Mason (tracks: A1), Stephanie Spruill (tracks: B4)
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320K
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Patti Austin: Havana Candy (1977)

CTI was having its troubles financially at the time. They recycled arrangements for all their artists and limited their budgets. Austin sang this undistinguished material with as much conviction as she could muster, but the general pallid air lingering over the production also affected her vocals. -- AMG
Tracklist:
01. That's Enough For Me (5:50)
02. Little Baby (4:15)
03. I Just Want To Know (4:57)
04. Havana Candy (4:37)
05. Golden Oldies (4:44)
06. I Need Somebody (4:32)
07. We're In Love (4:03)
08. Lost In The Stars (5:02)
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320K
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