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Showing posts with label Quincy Jones. Show all posts
Showing posts with label Quincy Jones. Show all posts

Stanley Clarke: 1,2, To The Bass (2003)

Philadelphia-born bassist Stanley Clarke is a first-generation fusionist who burst on the scene with Return to Forever in the '70s. From then to now, he recorded a number of critically-acclaimed recordings that encompassed jazz, rock, r&b, and funk with George Duke, Al DiMeola, and Lenny White. On this CD, Clarke is joined by Duke, guitarist Joe Satriani, saxophonist Everette Harp, flautist Hubert Laws, violinist Dr. L Subramaniam, and drummer Vinnie Colaiuta. The title track features the hip-hop contributions of Q-Tip, while "Just Cruzin'" is Clarke's straight-ahead, piccolo bass shout to Wes Montgomery. "I Shall Not Be Moved" is a spiritual piece co-produced by Quincy Jones, featuring Oprah Winfrey reciting lines from a Maya Angelou poem. But "About the Bass" is Clarke's eight-minute long tour-de-force where he reminds everybody, in no uncertain terms, that he's still king of the lower frequencies. --Eugene Holley, Jr.
Tracklist:
1. 1, 2, To the Bass (featuring Q-Tip) 5:57  
2. Simply Said 4:34  
3. Where Is The Love (featuring Glenn Lewis & Amel Larrieux) 4:06
4. Anna (She Loves The Good Life) 5:01
5. Los Caballos (The Horses) 4:41 
6. Just Cruizin' 4:26 
7. 'Bout the Bass 7:32 
8. Hair 5:14
9. Touch 6:03  
10. Todos Los Ninos (All the Children) 4:57 
11. I Shall Not Be Moved 6:37 
12. Shanti, Peace, Paz 5:53
Personnel:
Stanley Clarke – Electric Bass, Acoustic Bass, Tenor Bass, Piano, Vocals
Q-Tip - Spoken Word, Co-producer (track #1)
John "J.R." Robinson - Drums
Doug Webb - Saxophone
Michael Hart Thompson - Guitar
Amel Larrieux - Vocals
Reggie C. Young - Trombone
Myron McKinley - Keyboards
Oprah Winfrey - Spoken Word
Gerry "The Gov" Brown - Drums
Glenn Lewis - Vocals
Doctor L. Subramaniam - Violin
James Earl - Bass
Vinnie Colaiuta - Drums
Reggie Hamilton - Bass
Everette Harp - Saxophone, Sax (Soprano), Sax (Alto)
Michael Hunter - Trumpet
Paul Jackson, Jr. - Guitar
Bob Leatherbarrow - Vibraphone
Armand Sabal-Lecco - Bass
Joe Satriani - Guitar
George Duke - Keyboards, Wurlitzer
Hubert Laws - Flute
Dre and Vidal – Co-producer (track #3)
Quincy Jones – Co-producer (track #11)
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Patti Austin: Every Home Should Have One (1981)

The talented Patti Austin launched a successful jazz album career on CTI by the mid-'70s. Working with Quincy Jones since 1976, Every Home Should Have One was her long-awaited solo album with Jones as a producer. The hit singles "Do You Love Me" and "Every Home Should Have One" are polished -- pleasing but derivative. Rod Temperton -- who did four songs here, including the smooth "The Genie" -- comes up with a true gem, the classic Austin and James Ingram duet "Baby Come to Me." The most telling aspect of Every Home Should Have One isn't the L.A. pop/R&B Austin could do standing on her head, it's the most meditative offerings. A cover of Thom Bell and Linda Creed's "Stop, Look and Listen" gets an effortless treatment. The album-closing "The Island," with music from Ivan Lins and Vitor Martins and lyrics by Alan and Marilyn Bergman, seems best suited for Austin as she gives a sensual and flawless reading. Every Home Should Have One doesn't possess Quincy Jones' all-encompassing production style of albums like The Dude and George Benson's Give Me the Night. While this seems like a debut album, it's far from it, but it's a perfect introduction to Austin and her more pop-orientated work. - AMG
Tracklist:
1 Do You Love Me? - Temperton 3:23
2 Love Me to Death - Temperton 4:08
3 The Way I Feel - Kaz, Waldman 4:20
4 Every Home Should Have One - Bugatti, Musker 3:27
5 Baby, Come to Me - Temperton 3:36
6 The Genie - Temperton 3:59
7 Stop, Look, Listen - Bell, Creed 3:09
8 Symphony of Love - Bowkett 3:41
9 Oh No, Margarita - Austin, Boddicker 3:54
10 The Island - Bergman, Bergman, Lins, Martins 3:47
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