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Showing posts with label Tony Monaco. Show all posts
Showing posts with label Tony Monaco. Show all posts

Tony Monaco: Celebration - Life, Love, Music (2012) [2 CD]

If organists Shirley Scott and Jimmy Smith had formed some sort of a musical union, the offspring would no doubt have been Tony Monaco. Manifesting the melodicism of the former, the orchestral sensibilities of the latter and virtuosity of both, Monaco has become one of the most versatile and dazzling performers on the Hammond B3.
The limited edition two-CD Celebration, on Monaco’s own Chicken Coop label finds The organist in the company of various collaborators and in a number of different settings, ranging from sparse trio to jubilant choir of voices. It allows him to demonstrate his unique adroitness and talent in a number of styles and sub genres.
On the bossa nova, “Happy Sergio,” his intensely melodic, clean and light organ is matched well with Ken Fowser’s smooth, Latin sounding tenor saxophone, with just enough vibrato to keep things interesting. Meanwhile on the soul-jazz “Bull Years,” Monaco’s down-home greasy organ, fleshed out with complex arpeggios and self-accompanied walking bass lines, is met with Fowser’s gritty, wailing tenor all over a bed of Jason Brown’s propulsive drumming.
Outside of the familiar trio format Monaco duets with pianist Asako Itoh on the R&B-informed “You Rock My World (Asako).” The piano/organ combo similar to the 1961 recordings of Les McCann and Richard Groove Holmes is original enough to keep this otherwise smooth jazz tune, engaging. Monaco showcases his vocal skills on the song “Called Love,” backed by drummer Reggie Jackson and guitarist Derek DiCenzo. Elsewhere, the heavily spiritual “Unresolved” features Monaco’s classically influenced organ echoing as if in a cavernous church, while on the traditional gospel “Just Give Thanks and Praise,” he maintains the same level of pious devotement while he backs the heavenly vocals of Mary McClendo and the Columbus Choir Singers.
If the first disc was a demonstration of his versatility then the second is a testament to his tremendous skills as an instrumentalist. Starting with “Backward Shack,” based on Jimmy Smith’s iconic “Back at the Chicken Shack,” the record becomes more cohesively built around slow cooking grooves and red hot and hard-swinging solos.
“Yah Bay BEE,” with its harmonic and rhythmic structure together with the inclusion of Kenny Rampton’s trumpet, is reminiscent of Lou Donaldson’s 1967 Blue Note classic, Alligator Boogaloo. The funky, live “Takin’ My Time” with guitarist Robert Kraut, is colored in the shades of late night trysts. Another live track, the tight and bluesy “Slow Down Sagg,” features Monaco’s most advanced improvisations, without losing his earthy, rollicking rhythm.
This release may be Monaco’s most definitive, and can serve as both an introduction for those who don’t know his music and as a stimulating addition to his work for those who do.
Personnel:
Tony Monaco: organ, vocal
Jason Brown: drums
Joey DiFrancesco: organ
Derek Dicenzo: guitar
Ken Fowser: tenor saxophone
Asako Itoh: piano
Reggie Jackson: drums
Robert Kraut: guitar
Byron Landham: drums
Donny McCaslin: tenor saxophone
Mary McClendon: lead vocals
Sarah Morrow: trombone
Adam Nussbaum: drums
Ted Quinian: guitar
Kenny Rampton: trumpet
Vito Rezza: drums
Louis Tsamous: drums
Columbus Choir Singers: vocals
Tracklist:
CD1: Daddy Oh; Aglio e Olio; Indonesian Nights; Happy Sergio; Unresolved; You Rock My World (Asako); Just Give Thanks and Praise; Bull Years; Ninety Five; It's Been So Nice To Be With You; I'll Remember Jimmy; Called Love; To Be Continued.
CD2: Acid Wash; Backward Shack; Ya Bay BEE; Ashleen; Katarina's Prayer; Pasta Faggioli; Takin' My Time; Blues for T; Rudy and the Fox; Slow Down Sagg; Just Give Thanks and Praise.
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Pete Mills feat. Tony Monaco: Fresh Spin (2007)

Tenor saxophonist Pete Mills doesn't chart new musical frontiers on this 2007 release. On the contrary, he just gets it done the good old fashion way via lots of gusto, oomph and up-tempo grooves, performed with his estimable band-mates. Mills regenerates the jazz organ combo vibe here, complete with soul/funk, swing and meaty underpinnings provided by the rock solid and fluidly moving rhythmic unit.
With Hammond B-3 ace Tony Monaco and guitarist Pete McCann onboard, the musical climate here is loaded with zestful motifs amid the soloists alternating exchanges. On "Eddie, Monaco embarks upon a vengeful tear by slamming his organ into overdrive. And in other spots, the musicians comp, dart and weaver around each other's often-torrid dialogues that tend to project a multi-layered and harmonious group-centric vibe.
"Crooked Cheese is a quirky funk romp, where Mills' edgy sax lines nicely contrast Monaco's silvery chord progressions. Nonetheless, the musicians mix it all up rather vibrantly. No doubt, a good time was had by all. And check out Mills' warmly penetrating choruses on the quiet duet with McCann on Billy Strayhorn's "A Flower is a Lovesome Thing.
In sum, the ensemble merges the best of many conceivable worlds. Chops-heavy, yet compositionally sound and focused, the artists' jovial camaraderie transcends the norm. Brimming with the essence of good cheer, Mills and crew communicate a distinct sense of musical merriment during the entirety of this impacting and irrefutably entertaining jaunt.
Tracklist:
1 Straight Up
2 Eddie
3 Fossil
4 Too Close to Call
5 Schlooze
6 Diggin' on Dexter
7 Crooked Cheese
8 Talkin' with the Tubs
9 Winter Rain
10 For a Beginning
11 A Flower is a Lovesome Thing
Personnel: Pete Mills: tenor sax; Tony Monaco: Hammond B-3 organ; Pete McCann: guitar; Jim Rupp: drums; Andy Woodson: bass
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Tony Monaco: Burnin' Grooves (2001)

On the road to becoming a first-class operator of the B3 Hammond organ, Columbus, OH, native Tony Monaco has had to overcome roadblocks. The major one was a polio-like debilitating disease which forced him to change from accordion to organ. Another was the demands of a family business followed by the return of the disease. Undeterred, Monaco has made two albums with his trio, Burnin' Grooves being the second. He's joined on six tracks by his organ-playing peer, Joey DeFrancesco, who sits in on the piano. Monaco's playing exudes an exuberance that combines chitlin' rhythm & blues with gospel, especially on such cuts as "Ashleen." If this were being played before a live audience, they might jump up, exclaiming "Hallelujah" at the end. The Jimmy Smith influence is evident, as it should be given Monaco's fascination with the master's recordings at a young age. Given the strength of the B3, it would be easy to let it dominate other members of the trio. Instead, regular trio guitarist Paul Bollenback stretches out on such tracks as "Bluesette." For most tracks, Joey DeFrancesco's piano is submissive to Monaco's organ. But on "Girl Talk" he lets loose, backing Monaco's vocals (so much for the doctors who diagnosed he would never sing again). The blues-hued material gets set aside for a bouncy rendition of Blue Mitchell's "Fungi Mama," the guitar again playing a major role, this time by Derek DiCenzo. This album is indisputable evidence as to why organ trios have consistently been a popular combination in jazz, especially after the adoption of the flexible, electronic Hammond B3 by Fats Waller in 1939. It's also indisputable evidence that Tony Monaco deserves a spot in the upper echelon of the instrument's leading champions. ~ Dave Nathan
Personnel: Tony Monaco (vocals, Hammond B3 organ); Joey DeFrancesco (piano); Paul Bollenback, Derek DiCenzo (guitar); Byron Landham, Louis Tsamous (drums).
Tracklist:1 Blues For T (Monaco)
2 Backward Shack (Monaco)
3 Girl Talk (Hefti) 
4 Fungi Mama (Mitchell)
5 Jumpin' the Blues (Parker)
6 Ashleen (Monaco)  
7 Bluesette (Thielemans)
8 Road Song (Montgomery) 
9 So Long For Now (Monaco)
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[RE UP] Tony Monaco: East to West (2006)

Tony Monaco, an excellent organist who is happy to acknowledge the influence of Jimmy Smith (who he pays tribute to on his "I'll Remember Jimmy"), also has a personal sound and a swinging style of his own. Teamed with the fine bop guitarist Bruce Forman, drummer Adam Nussbaum, and occasionally saxophonist Byron Rooker, Monaco romps through a variety of jazz standards and a few basic originals. Although it seems odd that he performs both "Indiana" and "Donna Lee" (the latter is based on the former), both versions are enjoyable. Fans of swinging and soulful jazz organists will find much to enjoy in Tony Monaco's music.
Personnel: Tony Monaco (organ); Tony Monaco ; Byron Rooker, Gene Wilson (saxophone); Bruce Forman (guitar); Adam Nussbaum (drums).
Tracklist:1 I'll Remember Jimmy / Tony Monaco   
2 O Barquino (My Little Boat) / Tony Monaco   
3 Rudy and the Fox / Adam Nusbaum, Bruce Forman, Tony Monaco, Tony Monaco / Bruce Forman / Adam Nusbaum   
4 Recordame / Adam Nusbaum, Bruce Forman, Tony Monaco, Tony Monaco / Bruce Forman / Adam Nusbaum   
5 Don't Be That Way / Adam Nusbaum, Bruce Forman, Tony Monaco, Tony Monaco / Bruce Forman / Adam Nusbaum   
6 Donna Lee / Adam Nusbaum, Bruce Forman, Tony Monaco, Tony Monaco / Bruce Forman / Adam Nusbaum   
7 Roz Da' Cat / Adam Nusbaum, Bruce Forman, Tony Monaco, Tony Monaco / Bruce Forman / Adam Nusbaum   
8 Softly, As In a Morning Sunrise / Tony Monaco   
9 Like Someone In Love / Adam Nusbaum, Bruce Forman, Tony Monaco, Tony Monaco / Bruce Forman / Adam Nusbaum   
10 Indiana / Adam Nusbaum, Bruce Forman, Tony Monaco, Tony Monaco / Bruce Forman / Adam Nusbaum
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Pat Martino: Undeniable - Live At Blues Alley (2011)

Long before he became a world renowned jazz guitarist Pat Martino was a sideman in small combos that prominently featured the Hammond B-3 organ. He's never lost his affection for that particular group dynamic so here Martino sounds perfectly content enhancing the rhythm section's soulful thrust while, at the same time, his post-bop, minor mode improvising is sleek and precise. A live recording with the full-throated tenor sax of Eric Alexander, drummer Jeff "Tain" Watts and Tony Monaco keeping the B-3 pedals to the metal, Undeniable promises to be one of 2011's most exciting releases.
Tracklist:
1. Lean Years
2. Inside Out
3. Goin' To A Meeting
4. Double Play
5. Midnight Special
6. Round Midnight
7. Side Effect
Personnel:
Part Martino: Guitar
Eric Alexander: Tenor Sax
Tony Monaco: Keyboards
Jeff "Tain" Watts: Drums
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