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Showing posts with label Wolfgang Haffner. Show all posts
Showing posts with label Wolfgang Haffner. Show all posts

Various Artists: The ACT Jubilee Concert 2CD (2012) [2 CD]

Whoever thought jazz is a marginal branch of music meant for small cellar pubs was disabused at the ACT jubilee concerts during the first week of February 2012. In celebration of the 20th anniversary of the Munich label, jazz visited the impressive concert halls in Germany. Around 4.500 people followed its call and experienced during the four concert nights how the spotlight was turned on jazz. ACT all-star ensemble consisting of nine musicians thrilled the audience at the Philharmonie in Berlin (KMS), Muffathalle in Munich, Tonhalle in Dusseldorf and Laeiszhalle in Hamburg in a performance that according to the German magazine BUNTE was “a world class session with the very best of jazz”. The newspaper DIE WELT was greatly impressed after the final concert in Hamburg on the 5th February and spoke of “a magnificent programme and a storm of applause”. Fortunately, the NDR had decided beforehand to record the concert. Therefore, the ACT family celebration on stage will be available on a double CD which is released on the 27th April for a special price (2 CDs for the price of one).
Siggi Loch’s journey has followed a trajectory all of its own. After stumbling across the music of Sidney Bechet at the age of 15, he formed a band and began dreaming of running his own jazz label. Half a century ago he was among the R&B fans getting a first taste of The Beatles at the Star Club in Hamburg. Soon afterwards he produced some of the first tracks by the pop group The Searchers as he embarked on a career as a talent-spotter, producer and major label executive.
It is, of course, his own jazz company, ACT, which has become his primary passion – along with his ever-expanding collection of contemporary art, examples of which adorn many of the album sleeves. If much of the jazz world now resembles a sterile, hermetically sealed museum, Loch clings to the quixotic notion that the music has to surprise, to stir – and sometimes to shock.
Never shy of speaking his mind, he worries that too many of today’s compositions sound “constructed not composed”. The past is important, but why be enslaved by it? “Musicians have to work their audience,” he told me. “Just like in rock and roll. They’re not living in an ivory tower.” Does that mean a pursuit of the lowest common denominator, Kenny G with a Bavarian accent? Not at all, as ACT’s 20th anniversary tour demonstrated. While there may have been Arctic conditions on the streets outside the venues on the Jubilee Concert tour, musical director Nils Landgren set about creating a piping-hot summation of the label’s history, performed by the members of the ACT Family Band.
Polish pianist Leszek Mozdzer indulged in playful duels with his German counterpart Michael Wollny. Pensive French-Vietnamese guitarist Nguyen Le channelled the spirit of Jimi Hendrix with a little help from Denmark’s C?cilie Norby. Finnish trumpeter Verneri Pohjola added will o’ the wisp cameos elsewhere, while the diminutive French player Celine Bonacina – almost dwarfed by her baritone sax -- unleashed one fiery solo after another. The musician who remains the symbol of ACT’s act was, of course missing. But Esbjorn Svensson – who died in a scuba-diving accident four years ago – was remembered as the cast gathered for a moving finale. Here’s to the next twenty years.
Tracklist:
CD1
1. Leszek Mozdzer & Lars Danielsson
Pasodoble (Danielsson, Lars) 04:56
2. Leszek Mozdzer
Sleep Safe And Warm (Komeda, Krzysztof) 05:52
3. Leszek Mozdzer & Michael Wollny
Svantetic (Komeda, Krzysztof) 06:03
4. Cecilie Norby / Nguyen Le / Lars Danielsson / Wolfgang Haffner
The Tears of Billie Blue / Clair de Lune (Debussy, Claude / Norby, C?cilie) 06:37
5. Nils Landgren / Michael Wollny / Lars Danielsson / Wolfgang Haffner
Stars In Your Eyes (Hancock, Herbie) 06:45
6. The ACT Family Band featuring Cecilie Norby
Hymn (Danielsson, Lars / Norby, Cecilie) 07:00
7. The ACT Family Band featuring Verneri Pohjola
The One Goes In Four (Pohjola, Verneri) 11:23
CD2
1. Nguyen Le & Lars Danielsson
Little Wing (Hendrix, Jimi) 07:49
2. Celine Bonacina / Michael Wollny / Lars Danielsson
Lonely Dancer (Wollny, Michael) 04:58
3. The ACT Family band featuring Celine Bonacina
ZigZag Blues (Bonacina, Celine) 05:47
4. Nils Landgren / Michael Wollny / Lars Danielsson / Wolfgang Haffner
Silent Way (Haffner, Wolfgang) 06:14
5. The ACT Family Band featuring Verneri Pohjola & Nguyen Le
Dodge The Dodo (Svensson, Esbjorn / Berglund, Dan / Ostrom, Magnus ) 08:50
6. The ACT Family Band featuring Cecilie Norby & Nils Landgren
Love Is Real (Svensson, Esbjorn / Berglund, Dan / Ostrom, Magnus ) 05:42
7. The ACT Family Band feat. Cecilie Norby, Nguyen Le, Celine Bonacina & Wolfgang Haffner
Purple Haze (Hendrix, Jimi) 15:26
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320K / 236 Mb
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MSM Schmidt: Arrivals (2003)

"If you don't like it, then tell us what you'd like to have changed" (an annoying remark of one of my fellow musicians sometime during the 80s).
At that time, I played drums in a band and had no clue of compositions. I was a frustrated, self-taught drummer, never had any lessons, simply playing along in two bands without knowing, how to influence the music I was supposed to be playing.
Helge Mruck was playing keyboards in one of these bands, and sure enough it was Helge, with whom I went about buying my first keyboard, the Roland D50 and who taught me the first steps. With his help, I started to learn an instrument that enabled me to express my musical ideas. During the long years of our friendship, we created an innumerable numbers of songs ... The numbers of keyboards grew, computers and samples were added. Together (with the help of the legendary Atari ST) we composed many songs and founded our own band: Walkin' on Ice. With this band, we also recorded a CD: "Finally". Our music at that time was already very fusion-oriented . I still played drums in our band, but slowly but surely composing became my passion. When Helge moved to England, the band fell apart.
Composing, free from commercial purposes and constraints, is my hobby since. But I always felt that the songs I composed were too fast and too furious for anybody to listen to, not to mention musicians playing them. However, when playing them to friends, their reactions were surprisingly positive. (Which shows: My friends are all very polite.) - - MSM Schmidt.
Tracklist:
01. Orca   
02. Dunes   
03. Afrique   
04. White Light   
05. Lullaby   
06. One 4 Ron   
07. Zebra   
08. Serious   
09. New Hope   
10. Distorted Dreams   
11. Bouquet   
12. MC   
13. Dunes Reprise
Personnel:
Vinnie Colaiuta - Drums
Brandon Fields - Alto & Soprano Sax
Mitchel Forman - Piano & Rhodes
Wolfgang Haffner - Drums
Scott Kinsey - Synths & Piano
Abe Laboriel - Bass
Will Lee - Bass
Steve Tavaglione - Tenor & Soprano Sax & Flute
Ingo Bittkau - Piano
Lutz Büchner - Tenor Sax
Uli Gadau - Acoustic Bass
Holger Larisch - Guitar
Helge Mruck - Strings
Timm Pyttlik - Trumpet
Bernd Schlott - Clarinet
Kai Thomsen - Synths & Piano
MSM Schmidt - Synths, Programming, Drums
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192K
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Chuck Loeb: Between 2 Worlds (2009)

Creatively, Chuck Loeb has had his ups and downs over the years. Some of his albums have been disappointing, but other Loeb releases have been a lot more memorable. The self-produced Between 2 Worlds, it turns out, is among the veteran guitarist's more consistent efforts -- not to mention one of his more organic. Excessive production has been a problem for Loeb at times; having a great deal of production and programming is fine for electronica, new age, and hip-hop, but it can become quite an albatross in a medium such as improvisation-driven as jazz. Thankfully, Loeb doesn't overproduce on Between 2 Worlds, and his lyrical guitar playing has plenty of room to breathe this time. In terms of production, less is undeniably more on an album that emphasizes pop-jazz but also contains some straight-ahead post-bop. Between 2 Worlds, which was recorded in New York City and Berlin, Germany, tends to be commercial, although it is tastefully commercial. "360" and "Early Turns to Late," for example, fall into the easy listening category, but they have some substance and avoid becoming outright "elevator muzak"; the same goes for Brazilian-flavored items such as "Hiram," the title track, and Antonio Carlos Jobim's "Sу Tinha de Ser Com Vocк" (which features singer Carmen Cuesta). Meanwhile, "Let's Play" and "The Great Hall" (as in Jim Hall) are straight-ahead post-bop, and this 65-minute CD moves into funky soul-jazz territory on "Mittens" and the boogaloo-ish "Let's Go" (both of which feature saxophonist Eric Marienthal, formerly of Chick Corea's Elektric Band). Between 2 Worlds isn't a remarkable album, but it is definitely a good, satisfying album -- and the fact that Loeb's guitar playing isn't suffocated by an unnecessary amount of production is obviously a plus. ~ Alex Henderson
Personnel: Chuck Loeb (guitar); Lizzy Loeb, Carmen Cuesta (vocals); Eric Marienthal (flute, saxophone); Till Bronner, Nathan Eklund (trumpet); Dieter Ilg, Gerald Veasley, Will Lee (bass guitar); Dave Weckl, Wolfgang Haffner (drums); David Charles, Bashiri Johnson (percussion); Pat Bergeson, Brian Culbertson.
Tracklist:
01. Let's Go feat. [Brian Culbertson & Eric Marienthal] (6:48)
02. Hiram [feat. Will Lee] (5:46)
03. Mittens [feat. Till Bronner & Eric Marienthal] (6:43)
04. Between 2 Worlds (5:37)
05. Oh No You Didn't [feat. Lizzy Loeb] (4:22)
06. Let's Play (5:19)
07. So Tinha De Que Ser Com Voce [feat. Carmen Cuesta] (4:21)
08. The Great Hall (6:56)
09. Mean Old Man (7:10)
10. 360 (5:40)
11. Early Turns To Late [feat. Pat Bergeson] (6:14)
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Chuck Loeb: Presence (2007)

Though he occasionally branches out into other styles, Chuck Loeb is at heart, a pop-oriented smooth jazz guitarist. Presence finds Loeb smack in the middle of his comfort zone. "Llevame" adds some Latin percussion and murmured female vocals, "The Western Sky" incorporates a vaguely new age synth wash, and "The Music Outside" flirts a bit with quiet storm R&B, but at heart, this is utterly straightforward smooth jazz with Loeb's laid-back, tasty soloing front and center. Even the pair of pop covers, Steely Dan's "Rikki Don't Lose That Number" and James Taylor's "Shed a Little Light," are transformed into showcases for Loeb's inimitable style. Unapologetically mellow and buffed to a high-sheen gloss, Presence is smooth jazz for folks who think they just don't make smooth jazz records like this anymore.
Tracklist:
1 Good to Go - Loeb, Snitzer 5:17
2 Rikki Don't Lose That Number - Becker, Fagen 5:37
3 Window of the Soul - Loeb 4:07
4 Starting Over - King, Loeb 6:14
5 Llevame - Cuesta, Loeb 4:29
6 Presence - Loeb 5:45
7 The Music Outside - Dion, Loeb 6:08
8 The Western Sky - Loeb 5:04
9 Hangin' with You - Loeb 4:26
10 Mr. Martino - Loeb 4:54
11 Shed a Little Light - Taylor 5:24
Personnel: Chuck Loeb: guitars, keyboards, fender and synth bass, drum and percussion programming; Lizzy Loeb: flute; Wolfgang Haffner: drums; Nathan Ecklund: trumpet and trombone; Dave Mann: saxophone, flutes and horn arrangement; Ron "Buttercup" Jenkins: bass guitar; Will Lee: bass; Matt King: piano; Brian Killeen: bass; Josh Dion: drums and percussion; Carmen Cuesta: vocals; Carl Carter: bass; Mike Ricchiuti: piano and Rhodes; Till Bronner: trumpet and flugelhorn; Christian Diener: acoustic bass; Mitchel Forman: strings and string arrangement; Andy Snitzer: alto ax; Tom Schumann: piano; Brian Dunne: drums
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MSM Schmidt: Transit (2007)

Hard to believe the guy is an amateur... The strenght of this record lies in the fact that the songs are really good. Then the stellar line-up takes them to another dimension. Excellent contemporary jazz/melodic fusion album.
Tracklist:
01. Journey To Fukuoka   
02. Little Joe   
03. Country X   
04. Song for Michel (dedicated to Michel Colombier)   
05. Rizma   
06. Interlude   
07. Caroline   
08. Slow Moves   
09. X-Press (More than words Kin Sey)   
10. Sphere   
11. Falling Down   
12. Country X Acoustic version
Personnel: Vinnie Colaiuta, Kirk Covington, Wolfgang Haffner & Joel Rosenblatt (Drums); Dave Carpenter, Jimmy Earl, Ric Fierabracci, Jimmy Haslip, Will Lee & Ernest Tibbs (Bass); Scott Henderson & Mike Miller (Guitar); Mitchel Forman, David Garfield & Scott Kinsey, Kai Thomsen & MSM Schmidt (Keyboards); Brandon Fields, Steve Tavaglione & Ernie Watts (Saxophone); Rick Braun & Walt Fowler (Trumpet); Brad Dutz (Percussion); Judd Miller (EVI)
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MSM Schmidt: Destination (2009)

The composer and keyboarder MSM Schmidt (Germany) wins for his newest recording „Destination“ international renowned fusion-jazz musicians like: Mike Mainieri (Steps Ahead, Frank Zappa) on vibes, on drums Joel Rosenblatt (Bill Evans,Spyro Gyra), Simon Phillips (Toto, Mike Oldfield) und Wolfgang Haffner (Passport, Till Brönner), on bass Jimmy Haslip (Yellojackets, Bruce Hornsby), Ric Fierabracci (Chick Corea, Men at Work) Dave Carpenter (Herbie Hancock, Chick Corea), who died in 2008, on saxes Steve Tavaglione (George Benson), Tom Scott (Paul McCartney, Quincy Jones) and Brandon Fields (George Benson, Tower Of Power), on piano Mitchel Forman (Gary Burton, Pat Metheny), on guitar Dean Brown (Billy Cobham, David Sanborn), Alex Machacek (Planet X) and Chuck Loeb (Steps Ahead, Metro) and on trumpet Walter Fowler (Frank Zappa). All the players are outstanding and the sound is awesome as well! The playing throughout is of course stunning. The compositions are varied in style - sometimes jazzy, heavy, complex, and funky - but always entertaining.
It actually sounds like they were really enjoying themselves while making such a wonderful album.
Tracklist:
01 – New East «MSM Schmidt – Dean Brown» (06:38)
02 – Mr. Weasel «Tom Scott – Dean Brown» (05:59)
03 – Strangest Feelings «Brandon Fields» (05:24)
04 – Running Home «Alex Machacek» (06:15)
05 – Piano Interlud «Mitchel Forman» (01:35)
06 – 7 Grooves 2 Heaven «Dean Brown» (06:40)
07 – Hey Jimmy «Jimmy Haslip» (06:44)
08 – Final Chapter «Alex Machacekм» (06:43)
09 – Miami Revisited «C. Loeb – E. Marienthal» (05:59)
10 – Mongolian BBQ «C. Loeb – E. Marienthal» (06:14)
11 – Song For An Unknown Friend «Dave Carpenter» (07:13)
12 – D.C. «Dave Carpenter» (01:39)
13 – There Are No Rules «E. Marienthal – B. Fields» (09:32)
Personnel: Michael Guenter Schmidt (Keyboards, synths, and loops); Simon Phillips, Joel Rosenblatt & Wolfgang Haffner (Drums); Jimmy Haslip, Ric Fierabracci & Dave Carpenter (Bass); Tom Scott, Brandon Fields, Eric Marienthal (Sax); Steve Tavaglione (EWI & sax); Kai Thomsen, Scott Kinsey & Mitchel Forman (Keys); Walt Fowler (Trumpet); Mike Mainieri (Vibes); Dean Brown, Chuck Loeb, Alex Machacek & Mike Miller (Guitar)
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320K
 
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